A Girl Called Opal

Stage ManagerSound Designer

A Girl Called Opal became the place where I completely rediscovered my joy in theatre. The moment I received my dual assignments as Stage Manager and Sound Designer, I threw myself headfirst into the workflow.

Room to work independently

Our director understood my processing speed and respected my need for independence. She allowed me to execute a large volume of organizational and technical work on my own, present it to her for review, and make the needed adjustments — a structure that brought out my best work.

A breakthrough in sound

This production was a breakthrough for my technical skills. I dove deep into the mechanics of sound design and discovered a new love for mixing tracks, collaborating with high school interns to design the show’s sound.

Not carrying it alone

Working alongside an upperclassman with the same relentless work discipline and respect for the craft was amazing. Opal taught me that I don’t have to carry the entire weight of a show on my own to succeed — and that with the right mentors and allies, my technical drive is a real asset.